Pages 2-5 of my short comic “NO PARKING.” It’s the first actual comic to ever feature Peko, a character I’ve had for a super long time but NOW HE FINALLY HAS HIS OWN STORY. This 8-pager is kind of like a prequel to the actual comic (that I will start at some point when I have time HAHA) to introduce him (and hint at some other main characters.)
This comic will be featured in an anthology my super wonderful friends at grad school are kickstarting called GAME BOSS: THE FINAL FORM. It’s a “collection of short comics by thirteen international artists exploring the them of ‘antagonists’.”
We need a little more help to reach our Kickstarter goal by the 22nd of April! Any pledges or reblogs/signalboosts would be greatly appreciated! I’ll be retouching and ~*~**TONING**~*~ (ooooh!) all my pages for print, so they’ll look extra fabulous. Also, if you click our kickstarter link, you’ll see that THERE ARE TWELVE OTHER RIDICULOUSLY TALENTED INDIVIDUALS ALSO INVOLVED IN THE MAKING OF THIS BOOK.
I always had a thing for hand animated camera move and turn around… I can’t tell exactly why… probably cause it gives me the feeling I can manage everything and show exactly what I have in my head. that can seems stupid but it makes me feel like, sculpting the animation more than drawing it.
Hi everyone… sorry to answer so late the first is a shot I did in ”Myosis”(link) the second was an ”exercice”(link) in 1st year at gobelins the third is a shot I animated for the short ”Oni”(link) realized with friend as an FX exercise. the last (it was the more painful to do) is a shot extracted from our opening for the Annecy animation Festival ”Hurley’s Irish”(link)